All readings and discussions in English. Julia Alekseyeva, Assistant Professor of English and Cinema and Media Studies, took some time away from her online-teaching preparations to give us her suggestions for the best works of global cinema available on Netflix. Finally, it is precisely because the musical is a popular theatrical form that we can discuss changing public tastes, and the financial pressures inherent in mounting a production. We will establish together other guidelines to create as safe and supportive a space (or spaces) for reading, thinking, and acting against racism as we can muster, including deciding how we would like to include in our process tools like trigger warnings, opt-out mechanisms, smaller subgroups, etc. Students will learn basic coding techniques that will enable them to work with a range data including literary texts and utilize techniques such as text mining, network analysis, and other computational approaches. Also Offered As: ARTH 100, ENGL 017, URBS 106, CIMS 024 Introduction to American and British Film and Media. Also Offered As: COML 256, EALC 151, EALC 551, GSWS 257, CIMS 152 Forest Worlds: Mapping the Arboreal Imaginary in Literature and Film. The theatricals of terrorism are of particular interest, its bombastic acts, mystification, and techniques of spreading disorganizing fear in the global media environment. Our video production courses, offered through Fine Arts, focus on the acquisition of basic media language skills and insist upon evidence of a growing facility of comprehension and application. Some focus will also be given to major theatrical movements such as the Federal Theatre Project, Off-Broadway, regional theatre, experimental theatre of the Sixties, and feminist theatre. It examines the strange and mutually defining kinship between fascism more broadly and film. But we will also think about trash: what counts as trashy media, and for whom? This course explores the history of American gender through film. Although the course will introduce several key Japanese auteurs (Mizoguchi, Ozu, Kurosawa, Oshima, Suzuki, etc), it will emphasize lesser known directors and movements in the history of Japanese film, especially in the experimental, arthouse, and documentary productions of the 1960s and 1970s. This graduate seminar offers an intensive, critical, and collaborative study of contemporary African film and media production. Is there more to this island and its people? Weekly course materials will include both films (primary sources) and analytical readings (secondary sources). Double majors may entail more course units. The semester will leave students with both a foundation in Middle Eastern studies and a sense of current directions in the field. We will carefully read literary and historical texts and thoughtfully watch films in order to attain an understanding of Italy that is as varied and multifacted as the country itself. An exploration of modern discourses on and of the city. Writers and film directors examined may include: Kawabata Yasunari, Hayashi Fumiko, Abe Kobo, Mishima Yukio, Oe Kenzaburo, Yoshimoto Banana, Ozu Yasujiro, Naruse Mikio, Kurosawa Akira, Imamura Shohei, Koreeda Hirokazu, and Beat Takeshi. If it leads to change then it can be useful, since it is then no longer guilt but the beginning of knowledge. Penn Libraries' DVDs and video collections are accessible via Franklin. Latin American and Latinx Studies Program 473 McNeil Building 3718 Locust Walk Philadelphia, PA 19104-6209 lals@sas.upenn.edu (215) 898-9919 Reflecting the hybrid nature of the field of Cinema and Media Studies, our faculty members are housed in departments across SAS and the university, and we cross-list courses with various departments and schools, including Africana Studies, Anthropology, Communications, East Asian Language and Civilizations, English, Fine Arts, German, History, History of Art, Near Eastern Languages and Civilizations, Romance Languages, Slavic Languages and Literatures, and Women’s Studies. Materials on cinema, television, media, etc. Department of English University of Pennsylvania Fisher-Bennett Hall, room 127 3340 Walnut Street Philadelphia, PA, 19104-6273 Phone: (215) 898-7341 Working through concepts of "broadcasting," "flow," "circulation," and "circumvention," the course examines the movement of (and blocks encountered by) television programs and signals across national borders and cultures. Also Offered As: COML 245, ENGL 102, GSWS 102. Students will have the opportunity to experiment with creating tragicomic effect through performance in their presentations. This course surveys a range of film and video works on themes such as the production of space, urban nature, infrastructure, and collective memory. Alongside this Hollywood tradition of Jewish film, Yiddish film blossomed from independent producers between 1911 and 1939, and interpreted literary masterpieces, from Shakespeare's "King Lear" to Sholom Aleichem's "Teyve the Dairyman," primarily for an immigrant, urban Jewish audience. Is there truth in them? The scope and substance of the festival provide a unique opportunity, not only for students of cinema, but also for liberal arts students studying cultural diversity and international relations. See the Cinema Studies website at for a description of the current offerings. In our screenwriting courses, students learn how to analyze and work within the structure of mainstream narrative films, write their own screenplays, and workshop them in collaboration with other writers. All films begin at 6 p.m. Info and to register: https://cinemastudies.sas.upenn.edu/events/ 1 Sole. As the popularity of mythical creatures in films and literature grows, there is one creature that remains prominent: the dragon. No prior experience of Korean studies courses necessary; all films will be screened with English subtitles. We will begin by reading some of the early, influential works in the dystopian genre by authors like Mary Shelley, H.G. Through a series of several video projects and a variety of technical exercises, students will refine their ability to articulate technically and conceptually complex creative projects in digital cinema. Notes: Two 200-level French courses taken at Penn or equivalent are required for FREN 382. We will then selectively examine some of the most important films of the last two decades, including those of U.S. independent film movement and movies from Iran, China, and elsewhere in an expanding global cinema culture. The course will cover both the history of copyright law and current debates, legislation, and cases. Also Offered As: ARTH 387, ENGL 302, FNAR 320, CIMS 344 Documentary Experiments in Urban Research. CIMS 347 Gender History and American Film. The International Studies major is situated in the College of Arts and Sciences and is only available to students in the Huntsman Program. Chenshu Zhou (she, her) is Assistant Professor of Cinema Studies in the Department of History of Art at the University of Pennsylvania. An introduction to the momentous history of German film, from its beginnings before World War One to developments following the fall of the Berlin Wall in 1989 and German reunification in 1990. Search a film title in Franklin.Under Access, choose Online to see streaming films.Choose At the Library for DVDs and physical media. The primary goal of the freshman seminar program is to provide every freshman the opportunity for a direct personal encounter with a faculty member in a small sitting devoted to a significant intellectual endeavor. 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